Louise Erdrich is the rarest kind of writer, as compassionate as she is sharp-sighted
'Strange, enchanting and funny: a work about motherhood, doom, regret and the magic - dark, benevolent and every shade in between - of words on paper'
'Erdrich's exploration of racial appropriation, and her treatment of such forgery as the stuff of horror, is fascinating. Tookie feels the ghost of Flora breathing in her ear - "let me in" - and at one point, trying to claw her way inside Tookie's body'
'[Tookie's] journey, captured in Erdrich's expert prose, is a cathartic and comforting story that book lovers will gobble up'
'A funny and involving story of ghosts and bookshops'
Scintillating . . . More than a gripping ghost story, The Sentence offers profound insights into the effects of the global pandemic and the collateral damage of systemic racism. It adds up to one of Erdrich's most . . . illuminating works to date
The poet laureate of the contemporary Native American experience
Erdrich is one of the greatest living American writers
'The story is, perhaps above all, about the peace available to us in books like this'
No one can break your heart and fill it with light all in the same book - sometimes in the same paragraph - quite like Louise Erdrich
'Promises to be both funny and profound'
'As the owner of a store herself, Erdrich knows whereof she writes, and her off-beat ghost story is in part a love letter to books and the shops that sell them. It also captures with compelling fidelity a year of personal and national dread and anguish - yet still pulls off a happy ending'
A novel that reckons with ghosts - of both specific people but also the shadows resulting from America's violent, dark habits
'Erdrich writes with conviction'